![]() As the video game version of a metal album cover, where ultraviolence, dark fantasy and science-fiction comes together into visceral, blood-soaked sprints through Hell itself, the Doom Slayer is the perfect symbol for the series.Īs a film – which I’m calling Doom ’05 – it should be an excuse for lots of clearly-people-in-rubber-suit-demons to get hilariously blown apart by shotguns alongside a kick-ass metal soundtrack. He’s the next step in a series that blends the technological and the supernatural, a mythical space marine who’s literally feared by Hell and only communicates in Hulk-like smashing. The Doom Slayer is a mystery unto himself – and an evolution. It even absorbs Argent energy (basically Hell Juice) to make itself even stronger. A green-suited space marine, the Doom Slayer’s futuristic mechanical armour – dubbed the Praetor Suit – is covered in as many demonic runes as factory product codes. Here, Doom ’s archetypal “doomguy” became the “Doom Slayer”, a mute barbarian central to a wide-spanning mythology that underpins Hell as a dimension. With a meatier campaign and varied character progression, it was classic Doom created for modern tastes.īut the second was in the lore and world, mainly through the normally-unnamed player character. This meant a console-friendly shooter that was more like the fast-paced originals than the slower, dimly-lit Doom 3. Series developer id Software modernised what needed it and barely touched what didn’t. ![]() When it released in 2016, DOOM – which I’ll be calling DOOM ’16 – revived the series in two major ways. If you have a suggestion or we missed something, let us know on the socials or in the comments below! Welcome to Press X To Adapt! Every two weeks, we dive into a game-turned-movie or movie-turned-game to take a look at how it turned out, the differences between the two, and anything else worth chatting about. ![]() Rip & Tear with Dwayne ‘The Rock’ Johnson ![]()
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